No 3 (2023)
Articles
PUSHKIN HOUSE AND THE PROCESS OF CONCENTRATING PUSHKIN’S MANUSCRIPTS IN THE USSR (1930s-1940s): ARCHIVAL SOURCES
Abstract
The article explores the underresearched period of the existence of the Pushkin Manuscript Collection at the Institute of Russian Literature of the Russian Academy of Sciences. The authors focus on the analysis of the situation the Institute had to face while preparing for the 1937 National Pushkin Exhibition honoring the 100th anniversary of the poet’s death, and on the subsequent decree of the USSR Council of People’s Commissars of March 4, 1938, On the Organization of the State Pushkin Museum. In strict accordance with this document, Pushkin House was obliged to transfer all Pushkin-related data to the newly organized museum in Moscow. After their withdrawal, the history of the Pushkin House as it was conceived by its founders would de facto come to an end, and the «generic» name of the Institute of Russian Literature would be lost forever. The authors introduce the academic community to unpublished documents that recreate — via significant and fundamental episodes — the process of saving the main manuscript collection of the Pushkin House through the efforts of its managers and archive curators in the pre-War years. A later decree of the Presidium of the USSR Academy of Sciences dated June 2, 1948 assigned to the Pushkin House the archival and museum funds of the State Pushkin Museum, which was under the jurisdiction of the Gorky Institute of World Literature of the USSR Academy of Sciences. Since that time, Pushkin’s manuscripts (with a few exceptions) were concentrated in the Manuscript Department of the Institute of Russian Literature of the Russian Academy of Sciences.
Russkaâ literatura. 2023;(3):5-29



N. K. GUDZIJ AT THE STATE ACADEMY OF ART SCIENCES: THE HISTORY OF COOPERATION. PART 2: NOVEMBER 26, 1924 — DECEMBER 7, 1928
Abstract
The publication, based on the data from the archival fund of the State Academy of Art Sciences (RGALI) and the personal archive of N. K. Gudzij (Department of Manuscripts, Russian State Library), traces the history of the work of a literary historian, textual critic, professor at a legendary academic institution with a rich and tragic history, and introduces unpublished texts of the scholar’s reports, as well as the feedback of his colleagues provided during the debates. The texts and documents reflect the various forms of Gudzij’s involvement in the work of GAKHN and the problemthematic diversity of his speeches and studies, produced as a part of his work at the Academy (1922-1929).
Russkaâ literatura. 2023;(3):30-65



THE DIARIES OF L. A. DMITRIEV AND E. A. MAIMIN: AN ARCHEOGRAPHIC EXPEDITION TO ZAONEZHYE IN 1948
Abstract
New sources relevant to the study of the history of Russian archeography are published, i. e. the diaries of L. A. Dmitriev and E. A. Maimin that cover the period of their trip to Zaonezhye with the purpose of purchasing old books in the summer of 1948. The diaries contain valuable information on the material and spiritual culture of the post-war Zaonezhye, on local residents, Old Believers, book owners, performers of folk texts. The handwritten and printed books acquired during the expedition are kept today in the V. I. Malyshev Ancient Sources Repository at the IRLI RAS. The published texts are carefully annotated.
Russkaâ literatura. 2023;(3):65-84



THE LEGEND OF THE THREE BROTHERS AND OF THE HEAD OF GEORGE THE HUNGARIAN IN THE LIFE OF ST. EPHRAIM OF TORZHOK
Abstract
The Life of St. Ephraim of Torzhok is interesting not only because of the references to the history of Boris and Gleb, but also because of the incorporated legends about the three Hungarian brothers and the severed head of George the Hungarian. The article offers suggestions concerning the origins of these plots, and describes the dynamics of the text in its various versions; the sources of the editors’ work, as well as their methods and goals are investigated.
Russkaâ literatura. 2023;(3):85-95



PARENTING AND IMAGES OF CHILDREN IN A. P. SUMAROKOV’S PARABLES
Abstract
Pedagogical and philosophical treatises by Western European scholars made their way to Russia in the 1760s via Russian translations and drew the attention of the Russian society to childhood as an important formative stage of the human self. According to the Russian writers, the fable, as a genre targeting people of all ages, acquired a major educational potential at the time. Re-working the fables by the Ancient and Western European authors who used children for their characters, Sumarokov replanted the events into the domestic soil, modified the images of children, added emotional interpretation. In the fables based on his own stories, Sumarokov described the behavior, feelings and emotions of children in various situations, their search for self-affirmation and attempts to stand up for themselves in critical situations. The stories are permeated by the author’s spirit and empathy. Sumarokov’s literary work contributed to the awareness of the specific nature of childhood, its inherent value, and to the emergence of child-oriented and child-depicting fiction in Russia.
Russkaâ literatura. 2023;(3):95-106



CONCERNING THE DEATH OF ANDREI TURGENEV; BASED ON UNPUBLISHED LETTERS OF D. N. BLUDOV TO V. A. ZHUKOVSKY, 1803
Abstract
The publication of the two letters of D. N. Bludov to V. A. Zhukovsky, written in November-December 1803, is an important addition to the plethora of sources concerning the death of Andrei Turgenev (1781-1803), that was formerly researched by V. M. Istrin (1910) and A. L. Zorin (2016). The introductory article contains excerpts from Bludov’s 1802-1803 letters, where the hitherto unknown facts from the biography of Andrei Turgenev are outlined and both correspondents are described. Bludov’s references to Zhukovsky’s life and creative activities help to clarify the history of his endeavor, associated with the notes on Macbeth by J. F. Ducie. Besides, Bludov’s letters contain important information on the fate of Andrei Turgenev’s archive.
Russkaâ literatura. 2023;(3):107-117



A. S. GRIBOYEDOV AND M. N. ZAGOSKIN, OR CHALLENGES OF DESCRIBING LITERARY PROCESS
Abstract
The article describes literary mores in the context of the relationships of specific personalities, with their own mentalities, preferences and expectations, rather than as the polemics between various communities. The literary and personal contacts of A. S. Griboyedov and M. N. Zagoskin are traced in detail, and this throws new light on the balance of forces in the literary life of the early 19th century.
Russkaâ literatura. 2023;(3):117-126



RUSSIAN STUDIES ON DOSTOEVSKY FROM THE PERSPECTIVE OF BIG DATA ANALYSIS (1844-2020)
Abstract
The development of information technology gradually turned Digital Humanities into a new hotspot in the field of humanities research. The combination of data analysis and humanities research, the data-based thinking and presentation of research objects, will open up a new path for the studies in academic history. This article attempts to use data technology to analyze the research documents of Russian studies on Dostoevsky from 1844 to 2020, and to visualize the development track, research topics and research of representative Dostoevsky scholars, so as to comprehensively outline the development process, appearance, characteristics and rules of Dostoevsky studies in Russia, sort and analyze the methods and achievements by big data analysis in Dostoevsky studies.
Russkaâ literatura. 2023;(3):126-145



«MAYKOV, A MAN OF LETTERS» (COMMENTING THE LETTERS OF I. A. GONCHAROV, 1858-1859)
Abstract
The article describes A. N. Maykov’s voyage on the corvette Bayan to the Mediterranean Sea in 1858-1859, that was undertaken as a part of the «literary expedition» organized by Grand Duke Konstantin Nikolayevich. The goal was to write a series of sketches, to be published in the Marine Collection; I. A. Goncharov’s description of his trip on the frigate Pallada was used as a pattern the writers were expected to follow.
Russkaâ literatura. 2023;(3):145-151



LOUIS DIÉMER AS A CORRESPONDENT OF I. S. TURGENEV (TOWARDS THE HISTORY OF LITERARY AND MUSICAL BENEFIT CONCERTS IN PARIS)
Abstract
The article concentrates on the little-known aspects of the history of literary and musical matinées held in Paris by I. S. Turgenev, and explores his active contribution to them. The writer is known to have taken part in the benefit concerts together with Pauline Viardot and numerous other performers. Turgenev’s letter to the celebrated French pianist and composer Louis Diémer, kept at the Manuscript Department of Pushkinskij Dom, is introduced here for the first time. This newly published letter makes it possible to date one of the matinées, as well as to reproduce the list of the performers. The letter also traces Turgenev’s links with the Parisian musical world and adds a number of corrections to the Chronicle of Ivan Turgenev’s life and literary career.
Russkaâ literatura. 2023;(3):152-159



UNKNOWN REVIEWS BY V. V. ROZANOV (BASED ON THE DATA FROM P. P. PERTSOV ARCHIVES)
Abstract
The article details the history of the publication, in 1899, of the «second» edition of the collection of articles Philosophical Currents of Russian Poetry prepared by P. P. Pertsov (the first edition was published in 1896), which emerged as the result of the attempts to draw the attention of the readers to the book and sell out the printed copies. The article analyzes the history of the two unpublished reviews by V. V. Rozanov, written at the request of the compiler.
Russkaâ literatura. 2023;(3):159-166



«TO WALK ON THE VERY EDGE OF THE CENSORSHIP CLIFF...» A.V. AMFITEATROV IN THE NEWSPAPER RUSSKAIA VOLIA (A. V. AMFITEATROV’S LETTER TO M. M. GAKKEBUSH (GORELOV), SEPTEMBER 27, 1916)
Abstract
The work is devoted to a bright stage in the biography of the famous journalist and publicist A. V. Amfiteatrov — the period of co-editing (together with M. Gakkebush (Gorelov) and L. Andreev) from mid-December 1916 of the newly founded newspaper Russkaia Volia. Involving the archival data, the article analyzes the stage of preparing the newspaper for publication, the process of attracting new employees, the development of an ideological platform; the role of Amfiteatrov in these processes is traced; his publications and their reception by contemporaries are considered. Amfiteatrov’s letter to M. M. Gakkebush is published in the appendix to the article, outlining his views on the future edition.
Russkaâ literatura. 2023;(3):166-178



THE MEETING IN MEMORIAM OF A. A. BLOK AT THE VSEMIRNAYA LITERATURA PUBLISHING HOUSE, AUGUST 26, 1921
Abstract
The article describes the meeting at the Vsemirnaya Literatura publishing house commemorating A. A. Blok. It took place on August 26, 1921. The transcript of the meeting is attached. It includes speeches by the members of the editorial board (E. M. Braudo, A. L. Volynsky, N. O. Lerner, M. L. Lozinsky), poets associated with the publishing house and with Blok (Vl. Piast, V. A. Sorgenfrei, V. A. Rozhdestvensky) and a book publisher S. M. Alyansky. The document allows to restore the content of speeches, previously known only in the rendition of the contemporaries.
Russkaâ literatura. 2023;(3):178-195



THEMES AND VARIATIONS OF THE GENESIS: TO THE INTERPRETATION OF B. L. PASTERNAK’S CYCLE NESKUCHNY SAD
Abstract
The article offers an interpretation of the first six poems from the cycle Neskuchny Sad (The Neskuchny Garden) — the second part of B. L. Pasternak’s fourth poetry collection Themes and Variations (Temy i Variatsii) as the first and introductory microcycle of this part. The analysis of the semantics and imagery of each poem reveals the connection between the universal biblical prototype and the theme of the birth of art, the central one for the entire poetry collection.
Russkaâ literatura. 2023;(3):195-209



AN ATTEMPT OF VANGUARD HAGIOGRAPHY: A. M. REMIZOV’S NOVELLA IN PINK GLOW: FROM THE PROLOGUE
Abstract
The article analyzes the history and poetics of the first work created by the writer after the death of his wife, S. P. Remizova-Dovgello. In his experimental vanguard text, Remizov merges the poetics of the ancient Russian literature and Russian Romanticism of the early 19th century. The article reveals the sources of the titles In Pink Glow and Through the Fire of Sorrows.
Russkaâ literatura. 2023;(3):210-217



WHAT THE FAMOUS SOVIET WRITER WANTED TO SAY, YET DIDN’T (M. A. SHOLOKHOV’S SPEECH AT THE SECOND NATIONAL CONGRESS OF THE SOVIET WRITERS)
Abstract
This article is yet another contribution to the history of the Second National Congress of the Soviet Writers, held in December 1954. In 2018, the first collection of articles on this topic was published, followed by several other papers that presented the results of further archival research. This contribution focuses on one of the most significant events that took place at the Congress, i. e. on Mikhail Sholokhov’s speech. Comparing various versions of Sholokhov’s speech, both published and unpublished, I seek to trace how it was gradually evolving before and after delivering.
Russkaâ literatura. 2023;(3):217-230



«I HAD THE RIGHT TO WRITE ABOUT AVVAKUM...» V. T. SHALAMOV’S LETTERS TO V. I. MALYSHEV
Abstract
The purpose of this article is to introduce into the academic discourse two letters of V. T. Shalamov (1907-1982) to the archeographer and Old Russian literature scholar V. I. Malyshev (19101976). Shalamov’s comments to his poem «Avvakum in Pustozersk» form the bulk of the letters; he provides detailed answers to Malyshev’s questions. The article reconstructs the background of this correspondence, using it, as well as the other sources, to specify Shalamov’s perception of the protagonist of his poem.
Russkaâ literatura. 2023;(3):231-239



































